147 Photography & Video courses

6 week photography course in Barnsley. Photography course by Charlotte Elizabeth Photography.

Online photography course for beginners. 6 month photography course delivered weekly via email. Email course by Charlotte Elizabeth Photography.

This workshop is designed for people who want to learn how to take amazing photos on their smart phone. We take you through some basic photographic techniques including composition, depth of field and use of light and contrast. Make your Instagram stand out with our image making workshop, designed to help you create stunning images using your smart phone. With a combination of practical demonstrations, theory and hands on practice we will go through the basics of photography, allowing you to take away specific tips and tricks that you can apply straight away at home.

Discover the secrets of perspective in a range of landscape scales - from mountains and glens to forests and water.

Suitable for all levels of photographer, this is a must for those who enjoy landscapes and who would like to spend time learning and honing composition skills.

If you are starting out on your photographic journey or are needing to better understand your camera controls, this workshop is the ideal place to start.

Join me for another in the series of Scotland360 evening landscape photography workshops. Everyone is welcome, whatever experience or photographic ability.

Join me for a Scotland360 Low Light Photography Workshop. Everyone is welcome, whatever experience or photographic ability.

You're in the comfort of your own home, at your own PC and we will work through a programme tailored to your requirements.

“Take only memories, leave nothing but footprints”. Where your lasting memories are etched in the realms of time, and forever on camera.

This 5 week in-house class is an introduction to plant-based photographic processes. It will cover anthotypes, chlorophyll printing, lumens, accelerants, chemilumins and make-your-own developers. Key differences between the in-person and online classes include: In-house: Each session will be 3 hours long and all materials will be provided for these classes. In this face-to-face course, students can work on different techniques in class, with additional work outside of this subject to the individual’s preferences. • Session 1: Introduction and Overview During this first session, we will begin by making exposures in-camera for future use with the DIY Developer. We will also cover the format of the course and provide an opportunity to answer questions participants may have prior to the hands-on sessions. It will offer the space for participants to get to know each other and feel confident in the approach and setup required without the pressure of jumping straight into the practical tasks. • Session 2: Anthotypes Anthotypes date back to the 19th century and a fantastic Scottish scientist Mary Somerville. An emulsion is made from fresh plant material, coated on paper, and then exposed using the sun. • Session 3: Chlorophyll Printing Chlorophyll printing is related to Anthotype printing, but instead of using plant juices to create an emulsion, an image is created directly on leaves using an object, stencil, or positive transparency. • Session 4: DIY Paper Developer These DIY developers can be made from things found in your kitchen and garden. Learning about the building blocks of photochemistry, we will create eco-friendly chemistry to process both our black and white contact prints/photograms at home. • Session 5: DIY Film Developer In this session we will build on our successes with DIY developers for paper and apply it to film (which is more sensitive and specific to chemistry). • Session 6: Lumens and Accelerants on film and paper  Lumens are camera-less prints made with materials in direct contact with photographic papers. Accelerated lumen prints are made by using organic, nontoxic chemistry directly onto film and paper with increased exposure times. These can then be fixed and printed from to create wildly coloured and unpredictable prints of great beauty. IMAGES ALL PRODUCED BY PAST COURSE PARTICIPANTS: IMAGE 1 : © WENDY KIRKUP AND ALEX HETHERINGTON, NEW HYBRIDS, 2020 IMAGE 2 : © WENDY KIRKUP – ANTHOTYPE, 2020 IMAGE 3: © CATHERINE SEAGAR – LUMENS, 2020 IMAGE 4: © ERIN WOODBREY – ANTHOTYPE, 2020 IMAGE 5: © WENDY KIRKUP AND ALEX HETHERINGTON, NEW HYBRIDS 5, 2020 IMAGE 6: © ERIN WOODBREY – ANTHOTYPE, 2020 IMAGE 7: © CATHERINE SEAGAR – LUMENS, 2020 IMAGE 8: © CATHERINE SEAGAR – LUMENS, 2020   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

“Any good photography is a successful synthesis of technique and art.” – Andreas Feininger Discover the magic of Black & White Photography and learn some of the secrets the masters use to make stunning photographs. Explore the fundamentals of light and time and no longer be a slave to the Auto setting. Master the manual functions of your 35mm SLR film camera and unlock its true potential. Get to grips with the complete darkroom workflow from processing film to printing your own black & white photographs. Perfect for those with no experience or those looking for a full refresher. If you don’t have a 35mm SLR camera we have a limited number available for use during the course – please make your selection from the dropdown at time of booking. Week 1 Capture, technical notes, discussions, art context Understand the fundamentals of light and time in balancing an accurate exposure; No longer be a slave to the Auto setting! Learn how to utilise the Manual functions of your 35mm SLR camera including aperture, shutter speed, film speed and metering. Understand depth of field, composition and creative photo-making techniques; Appreciate photography within an art context – Begin to look at the work of other photographers Assignment: You will be given one roll of B&W film to be shot for the second week Week 2 Film processing Learn how to process B&W film by hand in Stills’ darkrooms. We will discuss different film types and chemistry, as well as best practice procedures for film handling. Appreciating photography within an art context-Sally Mann. Week 3 Contact Printing Gain an appreciation of general darkroom procedures;understand how to set up your enlarger and make a contact print using the traditional analogue method; learn how to make 8×10″ work prints using the single filter printing method. All paper and chemistry will be provided. Week 4 Darkroom printing This last session will allow participants to keep on printing with some one to one attention. We will also explore some basic dodging and burning and other printing techniques to get the most from your negatives and make a series of final prints.     -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. [https://stills.org/stills-bookings-cancellation-policy/] Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout. Stills uses ILFORD PHOTO chemicals on this course that can potentially pose a risk to pregnant and breast feeding women and asthmatics. We take every care to ensure good working practices and adequate ventilation in our darkrooms. If you feel you may be adversely affected, please visit the Health and Safety section of Ilford’s website for further information.   -------------------------------------------------------------------------------- General Guidance Notes for Pregnant and Breast Feeding Women and Asthmatics: From a risk assessment standpoint, provided all necessary control measures (such as good working practices, adequate ventilation, and the use of appropriate PPE) are in place then pregnant and breastfeeding women should be able to continue to work safely with photochemical products.Inhalation is the main route by which fumes and gases enter the body, making good ventilation a high priority. Exposure to irritant chemicals that would not affect most people may provoke an asthma attack in a person who already has asthma. For example, low levels of the gas sulphur dioxide can be produced by some ILFORD PHOTO processes. Most individuals would be unaffected but asthmatics may suffer adverse affects. * ILFORD PHOTO products include no known human carcinogens, and no substances to which phrase R46 (May cause heritable genetic damage) or R64 (May cause harm to breastfed babies) applies. * Most ILFORD PHOTO developers use hydroquinone, and their classification therefore includes 
R40 (Limited evidence of a carcinogenic effect) and R68 (Possible risk of irreversible effects). * Some ILFORD PHOTO chemicals use boric acid or borates. These substances are classified as toxic for reproduction. As a result, the classification of some of the powder developers includes R60 (May impair fertility) and R61 (May cause harm to the unborn child).

Do you have a growing mountain of negatives and/or prints and wish to have them as digital files? This course will equip you with the skills to digitally archive your collection ready for reprinting and sharing online! It can be intimidating to approach alone, but this class will break the process down into an easy step-by-step tutorial – from scanning, to editing, and exporting. Having completed the course, participants will have a solid understanding of the required processes and can go on to take full control of their negatives and potential outputs. This workshop will take you through the scanning process – turning analogue negatives/prints into digital files – using two different scanners: an Epson flatbed and a Hasselblad virtual drum scanner. Providing an opportunity to look at how best to scan and restore prints as well as negatives, you will learn the benefits of both scanning systems and understand when and why to use them. Once images are scanned, you will then be shown how to take full advantage of all the information you have captured to really get the most out of the files. The course will guide you through the editing process using Adobe Photoshop to bring your photos up to the highest standard, utilizing colour correction, levels, adjustments as well as a walkthrough of the processes used to clean dust and scratches from your images. You will be shown how to export files for digital printing as well as for sharing online. All equipment and software will be provided for you, but in order to get the most out of the course you are encouraged to bring along a varied selection of negatives and/or prints to use during the course. It is estimated that you will have time to scan up to a dozen images during the day, so please do not bring along whole archives at this stage! Having completed the course you will be able to return to Stills to confidently use the scanning facilities here on a session or daily basis. However, much of the information and learning from these systems can be directly applied to your own home scanning setup if required.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

Master the camera and post processing skills required to produce an end result that matches your creative vision and expectations. This practical and fun course enables participants to fully explore the essential camera and Photoshop skills you need to produce stunning digital photographs. Experienced tutor Kat Gollock helps you harness your creative potential in four engaging and empowering sessions. De-mystify the technical jargon and unlock your DSLR camera’s full potential. Learn Photoshop from a photographer’s perspective and the essential skills you need to really make your images shine. If you don’t have a digital SLR we can often provide one for you – please let us know at time of booking to confirm. You can also use your interchangeable or fixed lens system, mirrorless or rangefinder camera on this course. Bridge cameras without interchangeable lenses can be used too, but please note that they may not allow the full range of camera controls. Computer experience is beneficial. Week 1: Camera You will be guided through the manual settings of your Digital SLR camera, fully exploring how to capture light and time in a single image. Learn how to generate accurate exposures through aperture, shutter speed and ISO control and how/when to apply them creatively. We’ll explore some of the other digital settings that are key to understanding and building your confidence with your own camera. Week 2: Creating Put into practice all the camera features discussed and demonstrated in Week 1 on a walk around town. You will then return to the gallery for discussion and troubleshooting session to help further iron out any kinks. Week 3: Composition Will introduce you to photographic composition, history and appreciation and will be accompanied by more time to shoot so as to put these new skills into practice Week 4: Critique This week the full digital workflow will be explored with focus on image selection and post production techniques. An introduction to Adobe programs Bridge and Photoshop will be a key part of this process. On completion, we will have an informal and supportive discussion and feedback session provided by the tutor and peers.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

The course will introduce you to some of the most enduring photographic portraits and provide discussion on why they remain so seminal. The course includes an introduction to lighting and composition techniques for portraiture, as well as providing guidance on shutter speed, aperture, lenses, and other visual controls. You will use studio flash lighting to explore basic techniques in formal and informal portrait photography – though all of the techniques taught are transferrable to natural and other lighting media. There will be time for participants to photograph under three standard lighting set-ups. Some digital SLR photography experience is recommended. Morning The morning session centres on discussion of the work of some classic portrait photographers and standard techniques employed. The discussions will include elements of composition, pose, gesture, format and technique. Afternoon The afternoon session will cover practical studio lighting, standard lighting set-ups, direction of sitters, and time permitting also a brief introduction to some of the editing capabilities of Adobe Photoshop. Project Days are designed for those who are already familiar with digital photography processes but who want to pursue a particular aspect or develop more specific skills in one or more areas. This course is the perfect follow-on from our Digital SLR training courses and will support you in building upon your existing knowledge of DSLR camera skills and becoming a better photographer in general. It will help you to work confidently on your own creative projects and develop the artist in you.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

Join us for this special weekend Masterclass with renowned narrative landscape photographer, John Davies. “A fundamental aspect of my approach to landscape is the sense of power it can symbolise and evoke. Images of land, water and sky can become metaphors, which reflect our emotional and spiritual states. But the landscape can also represent power in terms of land ownership and material wealth. It is this dual and often ambiguous representation of the metaphysical and the material in the landscape that underlies my photographic work…to raise questions about our collective responsibility in shaping the environments in which we live.” John Davies   Davies work captures the British landscape in a permanent state of flux, displaying rare moments of calm and quiet amidst the inevitable change of these modern landscapes. Perhaps best-known for his black and white photographs made between 1979 and 2005 and comprising the project The British Landscape, his work shows the vast, complex, and majestic scenery of post-industrial and industrial Britain. Shaped by human endeavour, Davies’ cooly detached viewpoint serves to highlight the seams and layers of information left behind by time. This practical 2-day workshop* will primarily focus on Davies’ use of black and white, which through his unique vision gives his photographs an almost magical and mystical appeal. Demonstrating methods of how to produce high quality B&W prints and also to engage in discussions about communicating ideas through photography, Davies will talk about his journey in producing many exhibition projects of his landscape work throughout the UK and Europe. Including a short field-trip nearby the gallery, John will show examples of his exhibition prints and explain his interest and approach in photographing various landscapes.  John will also discuss his research practices and how his photographs are derived from his interest in the social and political landscape around him, drawing inspiration from issues relating to his surroundings and conditioning. *Due to space limitations in the darkrooms, the full course is only open to a maximum of 6 participants.  However, there are a number of additional 1-day places (for Saturday 21st only) that can be booked when these physical restrictions are not relevant.  Outline Day 1: Morning: John will start the workshop with a comprehensive overview of his major bodies of work and his journey in producing many exhibition projects of his landscape work – examining the research methodologies and planning decisions that go into each project. He will show examples of exhibition prints and books and explain his interest and approach in photographing various landscapes. He will also show some digital prints including infrared pictures made with a digital camera. Afternoon: A short field-trip nearby the gallery will give participants the chance to learn about Davies’ choice of equipment and experience first-hand his personal approach to camera exposure techniques and film selection. The group will then return to the gallery to process the exposed film and learn how development of negatives can achieve best results for printing or scanning. Detailed workshop notes on film exposure and film processing can be found at: www.johndavies.uk.com/atec.htm [http://www.johndavies.uk.com/atec.htm]. Outline Day 2: Morning: Practical demonstration of B&W darkroom printing, providing insight into John’s decision-making processes, paper and chemistry choices and darkroom techniques. John will advise on how to achieve high quality photographic prints to archival standards. Afternoon: This final session will explore aspects of landscape photography (but not exclusively) and will involve interactive discussions about perceptions of meaning and communicating ideas through images. This session is an oppertunity for participants to bring along a selection of prints to be discussed as a group, and receive constructive feedback from John. There will also be time for additional questions   -------------------------------------------------------------------------------- John Davies Biography Born in Sedgefield, County Durham, in 1949, John Davies studied photography at Trent Polytechnic in Nottingham. In the 1970s his first photographs were landscape studies of rural Britain and in 1981 he began an ongoing documentation of urban Britain, concentrating on the industrial transformation and on post-industrial landscape. He has published several photobooks, including The British Landscape in 2006. This series was launched at PhotoEspaña in Madrid and other exhibition venues include Gallery Vu, Paris, and The New Art Gallery, Walsall. His photographs have been widely exhibited, including at the Museum of Modern Art, New York, the Pompidou Centre, Paris, the Royal Academy of Art and the Victoria and Albert Museum, London. In 2008, Davies was shortlisted for the Deutsche Börse Photography Prize for his major retrospective exhibition of photographs taken from The British Landscape. Davies continues to photograph, publish, and exhibit internationally, most recently publishing Retraced 81/19,featuring before-and-after photographs made at the same locations in England, Wales, France and Germany between 1981 and 2019. Current exhibitions include Energy: Sparks from the Collection at the V&A, London, and Landscape Trauma at the Centre for British Photography, London, featuring his newest body of work of Contrail Cirrus clouds from jet engines above the north sky. -------------------------------------------------------------------------------- IMAGES USED COURTESY OF JOHN DAVIES: IMAGE 1 : © JOHN DAVIES – TROTTERNISH, ISLE OF SKYE 1981 IMAGE 2 : © JOHN DAVIES – VIADUCT, STOCKPORT 1986 IMAGE 3: © JOHN DAVIES – GREAT GABLE, CUMBRIA 1980 IMAGE 4: © JOHN DAVIES – AGECROFT POWER STATION, SALFORD 1983 IMAGE 5: © JOHN DAVIES – ALLOTMENTS, EASINGTON COLLIERY, COUNTY DURHAM 1983   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

A perfect follow-on course for those who have already completed an introductory darkroom printing course, or who have a reasonable level of B&W darkroom printing experience. Please bring B&W negatives (35mm or medium format) that relate to each other in some way (subject matter, tonal range, environment etc.) as we will be making a number of prints that can be read as a series. Please note: This course only covers the printing of images and participants should therefore bring previously processed negatives and if you have one, a printed contact sheet along to the session. All other materials (including a range of papers) will be provided. Class sizes are currently limited to 4 participants to enable social distancing throughout the course. Morning * Presentation and analysis of what makes a successful series of photographs, and how the final print can be crafted to accentuate the photographer’s artistic intent * Reading the negative and pre-visualising the print * Re-cap of darkroom skills – including overview of single filter printing, test strips and making a work print * Learning how to split-filter print Afternoon * Making a printing plan * Using fibre based paper * Plenty of practical darkroom time to work on your images and gain confidence in the new skills and processes * Finishing your prints   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. [https://stills.org/stills-bookings-cancellation-policy/] Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout. Stills uses ILFORD PHOTO chemicals on this course that can potentially pose a risk to pregnant and breast feeding women and asthmatics. We take every care to ensure good working practices and adequate ventilation in our darkrooms. If you feel you may be adversely affected, please visit the Health and Safety section of Ilford’s website for further information. -------------------------------------------------------------------------------- General Guidance Notes for Pregnant and Breast Feeding Women and Asthmatics: From a risk assessment standpoint, provided all necessary control measures (such as good working practices, adequate ventilation, and the use of appropriate PPE) are in place then pregnant and breastfeeding women should be able to continue to work safely with photochemical products.Inhalation is the main route by which fumes and gases enter the body, making good ventilation a high priority. Exposure to irritant chemicals that would not affect most people may provoke an asthma attack in a person who already has asthma. For example, low levels of the gas sulphur dioxide can be produced by some ILFORD PHOTO processes. Most individuals would be unaffected but asthmatics may suffer adverse affects. * ILFORD PHOTO products include no known human carcinogens, and no substances to which phrase R46 (May cause heritable genetic damage) or R64 (May cause harm to breastfed babies) applies. * Most ILFORD PHOTO developers use hydroquinone, and their classification therefore includes 
R40 (Limited evidence of a carcinogenic effect) and R68 (Possible risk of irreversible effects). * Some ILFORD PHOTO chemicals use boric acid or borates. These substances are classified as toxic for reproduction. As a result, the classification of some of the powder developers includes R60 (May impair fertility) and R61 (May cause harm to the unborn child).

During this two-day workshop, you will learn how to tell a compelling story via photographs. Participants will gain the tools for conceiving of and crafting their own projects, with pointers on how to find ideas, develop your vision, and self-edit. We will cover a broad range of themes, including subject interaction, ethical dimensions, natural light usage and composition. There will also be practical guidance on financing projects, and where to place finished work. Between the two sessions there will be an assignment, intended to provide a practical application of newly acquired skills – this will be reviewed in our second meeting. This workshop is perfect for those with a good understanding of digital photography, seeking to hone their storytelling abilities and push the boundaries of documentary photography. Day 1: – Introduction to photographic storytelling. – Case study of Michael’s work in relation to the practicalities involved with funding, organising and producing a documentary project. – Discussion on the work of inspirational photographers, film makers, and artists. – Consideration of the ethical challenges encountered when producing documentary photography. – Introduction of practical task, and review of images. There will be a practical assignment to be carried out before the 2nd session. Day 2: – Photo story workshop and discussion on style. – Editing: how to select the right pictures to suit narrative objectives. – How to work within time constraints. – Practical task – Portfolio review of work produced during the workshop. – Presentation on opportunities, competitions, and publishing documentary photography projects.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

This course is about learning to use your digital SLR camera with confidence and skill. Explore aperture, shutter speed and megapixels through to white balance, ISO ratings, histograms and much more! With a blend of technical tuition, demonstration, practical assignments and group discussion, you will discover how to unlock your camera’s full potential and take better pictures. If you don’t have a digital SLR we can often provide one for you – please select from dropdown at time of booking. You can also use your interchangeable or fixed lens system, mirrorless or rangefinder camera on this course. Bridge cameras without interchangeable lenses can be used too, but please note that they may not allow the full range of camera controls. Computer experience is beneficial. Day 1: Features of your Digital SLR camera. Areas covered include aperture, shutter speed and megapixels through to white balance, ISO ratings, histograms and all the rest. There will be time to ask questions and demonstrate the advantages of each feature, getting to grips with the “how’s” and “why’s” We will put into practise all the features that have been discussed and demonstrated in session one on a walk around town with your cameras. We will come back to the gallery, learn a little about methods of downloading and viewing photographs, and explore some basic Photoshop tools. Day 2: Exercises, Assignments and Review Question time. There will be a few formal exercises set up to practise on and time to discuss the elements learned in day one. We will also discuss in more detail the more compositional aspects of photography, and prepare for the afternoons’ assignment. You will carry out your assignments outside the gallery and be given a time to return with your completed assignments. Assignment presentations, troubleshooting and review. The last half will involve editing and viewing the photographs, open discussions and asking any final questions.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.

This one-day workshop will introduce you to the history and development of still life and product photography and its use in commerce and fine art. We will look at the work of historical and contemporary practitioners leading to a practical demonstration of still life photography, encompassing the relevant lighting, styling and composition. The day will include a simple product photography and lighting session exploring camera techniques and equipment you can use to create your own images. Please bring along a small object you would like to photograph as part of the day. Morning The day will start with an introduction to the still life genre, looking at its development through photography both as a commercial and artistic tool. We’ll then build and light a still life setup – providing guidance and examples of different lighting techniques, composition and styling skills. Afternoon The afternoon will focus on product photography and lighting for sales. This will include information on equipment and technical requirements, along with some handy tips, tricks and hacks! We’ll also demonstrate ‘Focus Stacking’ – an advanced technique for combining multiple images. The day will conclude with a practical session, where you will get a chance to work in small groups to photograph the objects you have brought in, we’ll also provide some sample objects if required. This is a great opportunity to put the day’s learning into practice with our tutor’s support on hand. Project Days are designed for those who are already familiar with some digital photography processes but who want to pursue a particular aspect and develop skills in a specific genre. This course is the perfect follow-on from our Digital SLR training courses and will support you in building upon your existing knowledge of camera skills and allow you to work confidently on your own projects. Some prior digital SLR photography experience is therefore recommended.   -------------------------------------------------------------------------------- Courses are subject to minimum enrolment. Please register early, within five days of the start date, to reduce the likelihood of course cancellation. Please read our cancellation policy before booking. Students, anyone over the age of 65, and those in receipt of any form of benefits can claim the concessionary price, offering a 10% discount on the full course price. Valid proof of eligibility must be produced on the first day of the course. Please use the code CONCESSION when prompted at checkout.