Cademy logoCademy Marketplace
  • Professional Development
  • Medicine & Nursing
  • Arts & Crafts
  • Health & Wellbeing
  • Personal Development

898 Educators providing Painting courses delivered Online

PaintingOnline
Thelma Hulbert Gallery

thelma hulbert gallery

3.8(57)

Honiton

Thelma Hulbert Gallery (THG) is an award-winning public art gallery hosting an acclaimed programme of contemporary art & craft exhibitions, alongside a permanent collection of artist Thelma Hulbert’s work. Workshops and activities for the community, Learning Room with kids’ art & craft materials, shop and refreshments area.

Message
Simon Tozer

simon tozer

Bristol

Screen printing is a traditional print process that uses stencils to build up an image. The stencil is attached to a screen - a finely woven mesh attached to a frame. The image is printed by drawing a squeegee at pressure across the screen, pushing ink through the mesh onto paper in those areas not covered by the stencil. There are different ways of making stencils for screen print; the most basic are papercuts, but a more sophisticated technique uses a photostencil: the screen is coated with a light sensitive emulsion and the artwork is exposed onto it. This process allows greater detail than paper stencils, and enables photographic images and text to be used. For each colour to be printed, a separate piece of artwork needs to be created. About the studio and equipment My studio is part of Centrespace Co-operative, a block of 31 workshops and studios that also manage the adjoining Centrespace Gallery. Centrespace, formerly known as Bristol Craft Centre, took over the building, a former print works in 1977. My own studio is a light and airy space of two rooms with an additional wet room for washing out screens. One room houses the print equipment and one is for design and drawing work. The print room uses a self built exposure unit, and includes three printing stations (one tabletop setup and two vacuum beds), and marble racks for drying prints. The drawing room includes desk space for three people and a large lightbox. About the tutor Simon studied painting at Portsmouth Polytechnic and printmaking at Chelsea College of Art, where he received the British Instuition Fund for Printmaking Award. He worked in London for over a decade as a scenic painter and muralist before moving to Bristol in 2002. He holds a PGCE in Post-compulsory Education and has been teaching screen printing to all ages and abilities for over a decade. He exhibits his work regularly. To see some of his prints go to simontozer.co.uk

Message
South & City College Birmingham - Digbeth Campus

south & city college birmingham - digbeth campus

4.5(42)

Birmingham

South and City College Birmingham is led by the Principal, Mike Hopkins, and a Senior Leadership Team comprising of: Sardul Dhesi - Deputy Principal Dawn Ward - Vice Principal Alan Howey - Vice Principal Paul Morris - Assistant Principal Jacqui Maher - Assistant Principal Parveen Ghulam - Clerk to the Corporation South and City College Birmingham is directed and governed by its Chair Clive Henderson, Vice Chair Angela Pocock and Board of Governors. The role of all college governors is voluntary, and governors are drawn from various professional backgrounds including, business, industry, law, finance and education. The Board of Governors are responsible for setting strategic direction, ensuring accountability and monitoring college performance. They are also responsible for setting the mission, vision and values of the college. The Board of Governors are supported by a number of committees including: Audit Search and governance Employment and equalities Senior staff remuneration Higher Education Oversights Committee The above committees are responsible for considering college matters which fall with the relevant committee of responsibility. The committee then feeds back any matters or issues to the full governing body. The corporation office consists of the Clerk to Corporation and Corporation Co-ordinator/Personal Assistant, Julie Groom.

Message
Paintingresearch

paintingresearch

London

home | paintingresearch

University Of Wolverhampton Enterprise

university of wolverhampton enterprise

4.0(210)

Wolverhampton

By 1903, an educational foundation had firmly been established with over 1,300 students studying courses including coach building, house painting and pattern making. In 1905, the first student scholarships were awarded. As student numbers continued to grow, expansion became necessary. In 1912, the ‘Deanery House’ in Wulfruna Street was bought and in 1920 itwas demolished, making way for the iconic Wulfruna building you see today in Wulfruna Street. The foundation stone of the major new buildings in Wulfruna Street was laid by Prince George in 1931. The foundation stone was laid by HRH Prince George in 1932 and in 1933 the Wolverhampton and Staffordshire Technical College was born. With further education traditionally accessible only to the wealthy, the College vowed to ensure that even the most under-privileged men and women would have the opportunity to study a higher education – an ethos nurtured and sustained to the present day. In 1933, the Wolverhampton Local Authority annual report states: "The college makes ample provision for the general education of young men and women not privileged to obtain their higher education by residence at a University. Particularly it is the local home of higher scientific and industrial studies." Courses included science and engineering, and with the creation of a Women’s Department, over a third of the College’s students were women, bucking the traditional all-male trend typical of higher education establishments. Research was also on the increase, with the College welcoming graduates from universities as honorary members. By 1938/9 we recorded 2,921 students on our annual statement to government. One third of those students were women.

Message
Vanisha Mistry

vanisha mistry

5.0(38)

My name is Vanisha Mistry. I am a Performer, Vocal Improv Artist, Songwriter and Expression Coach. I work with Sound and Energy Healing and share my talents in the Creative Arts. I strive to work in a way that creates a bridge between the modern day mainstream and the more alternative worlds. I have always been a creative. And since a young age I have had a deep connection with nature and the wider sense of the world. In recent years I have come to discover the deep connection between art and spirituality, and the crossover between these worlds. I take inspiration from the ancient practise of Shamanism, which draw great wisdom from the energies of the earth and embodied practises; in our modern day much of this medicine is lost. However the Arts, whether dance, music or painting, do touch on this deeper connection to something beyond ourselves, and I believe this need for artistic Self-Expression is in-fact a tapping into this ancient medicine and a grand creative force - That which makes our reality exist. In all my work I strive to uncover this deep creative essence in each individual. I am professionally trained as a Landscape Architect, qualifying in 2015. My work in this profession didn't sit with me and my mental health took a hit, as is common with many office based Creatives. After this, I promised myself that I would not submit myself to mindless work, but discover a truly sustainable way of living. After several years of travel, exploration and studies, I have now transitioned into the practise of Sound Therapy and Vocal Coaching. My travels took me through Europe, to the Spanish Canary Islands, Australia, South East Asia and India. In each of these places I found that it was the Music and the Natural environment that brought me alive, however my background in Music was little to none. In 2017 a knee injury took me away from dancing and into the path of singing. From close to no experience, I quickly found this my natural talent. I was on stage performing within 1 year and improvising live sets with various artists after 2 years. My exploration of Yoga and Sound Healing developed profoundly in India where I finally understood the link between sound vibration and the body and was able to apply it myself to my own healing practise. This long journey has lead me to Today, where I am a Singer/Song-writer, Vocal Empowerment Coach, Sound Healer and Performer. I am currently studying Music Therapy to be certified as a recognised Music Therapist. Life has transformed quickly because I followed my true voice and my deeper creative calling. Now, I strive to share this process with as many people as possible; and unlocking the power of the voice is the first step to this freedom. I am on a mission now to spread this work further, and to build creative communities; this means working with more people, further a field. I aim to connect wider networks to work intuitively with energy of the body, engaging the Voice, Breath and Movement so that more of us can sit truly in our most authentic Self-Expression. I am a firm believer in joyful practises paving the way towards a more sustainable, meaningful and wholesome way of living - and together we will create a more meaningful, fair and joyful world.

Message
Abstract Artist Kaisa Hart

abstract artist kaisa hart

Edinburgh

I am an abstract artist living in Edinburgh, UK, and I work in mixed media, including acrylics and collaging techniques. Creating exhilarating and compelling paintings is what I strive for, by manipulating different materials and media. I usually begin my process by adding loose layers, building up textures and color, while being directed by gestural marks that I react to. A new body of work often appears when a certain color, a piece of collage or something else such as a visual prompt, has stirred up inspiration. It is important to me to let the work develop organically and let it lead the way. I especially enjoy the beginning stages of playful movement, and activating the canvas with impulsive mark-making, often a graphite pen or big splashes of color. Sometimes I begin with collaging, creating textures and patterns before even a drop of paint has hit the surface. From there, the painting starts to take a direction of its own. Using stimulating tools, anything from brushes and pens to scrapers, scratching tools and even sandpaper on the surface, the piece starts to form..

Message
Helen Kilby Nelson

helen kilby nelson

My work explores identity and (un)belonging from the perspective of a working class, neuro-divergent woman with long term health conditions living in rural Warwickshire. The work is autobiographical, observational and reflective. My work digs deep into the multiple layers of identity and (un)belonging within systems and structures of hierarchy with society and the chain reaction of cause and effect, finding connections and searching for answers. My work is a personal, social and political commentary and reaction to what I see, hear and feel, directly and indirectly. My current work is focusing on the entanglement of how our health informs our inner and outer identity and the push and pull of (non) conformity. I work with a variety of media and have produced photographic, moving image, installation, spoken word, digital, oil, ink, and pastel painting and sculptural art works. I have an acquired brain injury which makes reading and writing problematic if I try and conform to the expected delivery and receival of the written word. There will, therefore, be errors within these pages. These errors are now a part of my identity, they do not detract from my message unless you allow them to.

Message
House of Quinn

house of quinn

Brighton

House of Quinn is a design practice creating small-batch collections of quilts, textiles and unique objects for abode and dwelling. Objects with a sense of place and function that are reflective of our daily rituals and which become part of our personal collections. Simple luxuries for everyday. Founded by Julius Arthur in 2016, House of Quinn is a place for exploration in craft, making and design by using traditional techniques and fundamental making practices to cultivate contemporary design narratives onto familiar objects. Julius’s work is grounded in uncomplicated materials and processes and inspired by an abstract view of the places and things around us. Growing up in Cornwall, memories of childhood and a sense of home and belonging intersect in Julius' work. Assembled from cloth, paper and materials at hand, Julius finds joy in the process of creating with stitching, painting and print. Quilts have become a staple motif in Julius' work. A way of combining materials, connecting through stitch and exploring shape, form and line. The connection between canvas and practical objects blurs the boundaries between art and function and the idea that objects used, bare meaning through their connection with the day-to-day.

Message
The MasterPiece Studio

the masterpiece studio

We began the Masterpiece journey back in 2001 and having outgrown two studios we have been well settled at Holmes Hill for several years, overlooking the lake and next door to Happy Days Café. A family run business, Masterpiece is well established in the local area and we have many Masterpiece friends who form a regular customer base, some of whom have been crafting at Masterpiece since we opened. Several of our first children's birthday parties were held for customers who are now bringing their own children to us for hand and footprint keepsakes, its lovely to keep in touch as we adapt our crafts to suit all ages. We have a thriving adult customer base something we regard as a great achievement,, dispelling the myth that pottery painting is only for the youngsters. All of the crafts we have added to the studio are fun, sociable and relaxing activities for all ages and although many adults pick the quieter times of the week, for most it is a well looked forward to 'me time' activity, great for a family get together or celebration.

Message
1...6970717273...90