107 Educators providing Glass Art courses

Adam Aaronson Glass Studio

adam aaronson glass studio

West Horsley

Adam specialises in free blown glass. His vessels and sculptures are at once a celebration of the simplicity of pure form, and also an investigation into layering. His coloured patinas draw on painterly techniques and are predominately inspired by a love of nature, especially the play of light on water and the landscape. He is a consummate colourist, and the Impressionist painters -Turner, Whistler, Monet and others – have been a significant inspiration for his work. “I think of my work as a story of surface and form. Each blown glass artwork is a canvas, depicting landscape in a variety of abstracted ways; a shimmering moment of reflection, capturing river and sea, coastline, forest and desert, as light passes over and through. Glass contains its own dynamic of reflection and refraction, and balancing the relationship between form and surface is often challenging. I explore the organic form of each sculpture, celebrating the natural flow and force of molten glass, sometimes leaving behind traditional requirements for functionality. “Sometimes I start with a defined idea, but the intuitive way in which I work means that on occasions I’ll notice unexpected aspects of the developing form and how they relate to the palette I am using. It’s almost as if the evolving piece influences the way it turns out. People often say that glass has a life of its own and it is only when you actually make glass that you understand what this means. I’ve been developing a vocabulary of forms for some years, and these range from the early simple canvases to the more recent organic surfaces.” Adam’s work has been exhibited all over the world and can be found in numerous private collections from royalty to rock stars. Over the years, he has been commissioned to make work for the Royal Academy of Arts in London, Italy’s venerable Salviati glass studio, the Museum of Art and Design in New York, the UK’s National Art Collections Fund and The British Museum, among others. Adam’s work has been shown at the prestigious Sotheby’s Contemporary Decorative Arts exhibition in London, and the Cooper Hewitt, Smithsonian Design Museum, in New York City. Adam is a Fellow of the Society of Designer Craftsmen (FSDC) and chair of their Selection Committee. He is a Fellow of The Royal Society of Arts (FRSA) and Adam is also a member of many glass related societies and organisations, including the Contemporary Glass Society, and The Glass Society, which was formed from the merger of the Glass Association and the Glass Circle. Adam is also an active member of the Surrey Sculpture Society and the Surrey Guild of Craftsmen, as well as the Oxford Sculptors Group. Adam has exhibited and demonstrated at Art in Action, the annual arts and crafts event at Waterperry Gardens in Oxfordshire.

Stained Glass Centre

stained glass centre

London

The Stained Glass Centre was established in 2008 by the recently-formed Stained Glass Trust, with the aim of providing an educational centre to encourage the study and appreciation of stained glass, as well as breathing life back into St Martin-cum-Gregory. This beautifully evocative Grade I listed building, which dates back to before the 11th century, is home to a rich range of historic glass, including some of the earliest logos to be seen in stained glass and memorials to celebrated glass-painters. Set in the city of York, home to much of Britain’s surviving ancient glass and a focus for craft and creativity in the modern day practice of stained glass making, The Stained Glass Centre provides a unique point of interpretation for the city, with demonstrations, workshops, guided tours and lectures. The Stained Glass Centre is developing as a national resource for the discovery and interpretation of stained glass. The building has long been a destination for those interested in this fragile medium. As the Stained Glass Centre, it is transforming into a venue in which residents, students and visitors can explore, participate in and learn more about one of the most beguiling of crafts, one that continues to be central to the heritage, culture and economy of the city of York. Now that the future of the building has been secured for public use, a programme of events is bringing people and new life back into the building. Founding Aims The Stained Glass Centre was established with five long-term aims for its future role The Stained Glass Centre will be a national resource for the discovery and interpretation of stained glass. Visitors will be able to participate in, and learn about, craft-skills, arts and industries that continue to play a vital role in the life of the city and region. Practitioners from all over the UK will have a national centre of excellence for the study and development of their craft. People of all ages will have the opportunity to learn about the historic importance of this beautiful art form as well as helping it to develop and flourish for the 21st century. The creation of the Stained Glass Centre in the former church of St Martin-cum-Gregory will give new life to one of York’s most beautiful ‘lost’ buildings. Regeneration The establishment of the Stained Glass Centre within the former church of St Martin-cum-Gregory aims to give stunning new life to a magnificent building, with the exciting opportunity for regular public access to one of York’s most beautiful ‘lost’ buildings, and to see, and have interpreted, its lovely fittings and glass. Through the Centre, residents of central York can reclaim aspects of their own local history, participate in, and learn about, craft-skills, arts and industries which continue to play a vital role in the life of the city and region. The Stained Glass Centre also plays a key role in the re-awakening of Micklegate, which once was, and could be again, York’s most important and elegant street. The Centre works closely with the Micklegate Quarter, hosting and participating in events for the local community.

Jonathan Rogers Glass

jonathan rogers glass

Essex

Glass blowing courses: Learn to blow glass at Clavering Glassworks, Essex 1 DAY BEGINNER COURSE This one day lesson lasts for six hours and aims to provide an intensive introduction to this most exciting and challenging of craft disciplines. Throughout the lesson, you will learn to gather molten glass from the furnace at a temperature exceeding 1100 degrees and manipulate it with a range of traditional glassmaking tools. You will be taught to apply colour and pattern to the clear glass so that by the end of the lesson, you will have produced a number of items from vessels to paper weights of your own design to take home and treasure. KEY INFORMATION: This glassblowing lesson is aimed at complete beginners, so no previous experience is necessary. Small class sizes - maximum of three students to one instructor so you will get plenty of one-on one instruction. All safety equipment and materials are provided. Please wear sensible, comfortable clothes, preferably layers, so you can remove the outer layer if you get hot; and flat, sturdy shoes. Long hair should be tied back. Complimentary hot and cold drinks will be provided but feel free to bring along drinks, snacks and a packed lunch. Lunch is available at the Lodge nearby. Students for glassblowing courses must be over 18 years of age. Please note that glass vessels and other pieces made during the lesson need to cool slowly in the kiln, so these can be picked up two days later, or alternatively these can be posted for a charge.