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5 Educators providing Ancient Egypt courses

Alla Maniataki

alla maniataki

5.0(12)

LONDON

Our mission is to provide young people (7-13 years old) with the opportunity to learn about art history in depth via hands-on experiences that bring subjects to life in a fun and engaging manner. Whether your child loves painting and drawing, has a fascination with puzzles and riddles, or has recently started to develop strong views about the world, Vincent and Frida will help to cultivate in them a lifelong curiosity about the art they see around them. Our courses will teach students a number of valuable skills including the ability to closely and carefully study artworks, analyse visual information, draw connections with other sociopolitical topics, question historical beliefs and form their own opinions on a broad range of subjects. The immersive and fun courses will run during school term time, with 9 sessions per term. UPCOMING EVENTS Our classes can be booked as a trial lesson (subject to availability). Trial lessons demonstrate our course structure and allow students and parents alike to experience what makes our teaching methods so compelling and unique. Each taster session will focus on a different topic. Schedule for the Autumn term 2020 (starting on 3rd October ): Art of Mesopotamia (oldest naturalistic image of a human) Ancient Egypt (importance of afterlife) Ancient Rome (grandure and opulance) Ancient Egypt (first portraits) Byzantium (creating heaven on Earth) Ancient China ( guóhuà or the beauty of stillness) Medieval Art (bestiaries and magical creatures) Gothic Art (stained glass to dazzle and enchant) Overview of Early Art (recap previous learning and have fun playing games) Sessions will be held online on ZOOM and face-to-face in The Observatory, 64 Marchmont St, London, WC1N 1AB. This beautiful photography gallery is located a short walk away from Russell Square station, and offers a wonderful, bright space for adults to wait whilst their children are exploring the world of art and houses a welcoming cafe .

Birmingham Egyptology

birmingham egyptology

Birmingham

The idea for Birmingham Egyptology arose in 2003 following the graduation of a class of MA Egyptology students eager to maintain their social network. In the following years members met socially and, on occasions, joined together for field trips and enjoyed involvement in research projects and, as a result, several of the original members of the group are still in regular contact. The group newsletter was first published in 2006 and circulation was extended to other interested groups and societies within the discipline. With the addition of new members through the various postgraduate programmes at Birmingham numbers have gradually increased until, by 2011 it was felt that we had sufficient strength in depth to host the CRE conference. That event took place in March 2012, its apparent success inspiring our most recent development: the formation of the Birmingham Egyptology Forum. The Forum brings current postgraduates together with alumni, other students and academics associated with University of Birmingham, and members of the public to work on a variety of projects. Regular seminars are held within the University to discuss matters of mutual interest. Other activities continue the work relating to the Eton Myers collection of objects currently on loan to the University following on from the initial catalogue of essays published on the University web site in June 2012. A summary of Birmingham Egyptology activities are presented on this web site to engage the interest of all persons interested in the topics raised, and updates will be made from time to time as opportunity allows. Items of the type formally published in the newsletter will now appear on the blog section whereas those of a more academic nature will appear in the journal section. The Birmingham Egyptology Journal, ISSN 2053-3586, is a peer-reviewed publication, available free of charge, which provides a platform for the presentation of scholarly articles relating to the culture, history, and archaeology of ancient Egypt and to which Birmingham Egyptology invite contributions from outside sources. Those interested in submitting articles may wish to consult the guidelines for contributors outlined in the ‘Journal’ section. The Birmingham Egyptology website is published by the Birmingham Egyptology Group, University of Birmingham, Edgbaston, Birmingham, United Kingdom.

The Druid Order, An Druidh Uileach Braithreachas

the druid order, an druidh uileach braithreachas

London

Winter solstice is between the past and the future. It is a place of freedom from the past and free from the future. The only place to make a choice. The dying Sun enters the present to be reborn or regenerated. The present tense is a womb that gives birth to all things, a dot surrounded by a circle is a symbol for a womb and provides the plan for the life to be grown. These seeds contain within them the three functions that govern all life forms, future, present and past. The present is that which breathes in and out or future and past. In Ancient Egypt the name of a Mummy is a Karist or the Call to be I Am. Making a mummy is making a seed to plant in the earth, and this seed is a storehouse of memories of its past experiences as a basis of how it relates to its promised future. Memories of events that rely on external circumstances for their life are left behind and memories that contribute towards the character of the being are built in to the seeds of future causes. What belongs to us is not the memories of the events themselves, but the pain or joy of our responses to those events. How we respond is what is important, What we respond too is not important. When we die, we do not take our house, money, clothes or material obligations with us, we take our painful or joyful responses to what happened to us. We cannot change the event but we can change our response. Out of these seeds of causes we create a new year. Jesus is a Sun God, incorporated in a set of stories about an initiatory journey to become Karistified. It is not a past tense story, It is a story about the birth and death of all life forms and as such should not have to endure the restrictions of time, space or gender. The same stories have existed for thousands of years based on the relationship between light and matter. The source material comes from a much deeper past than most organ-isations are prepared to admit. Jesus is the product of the four elements or that which provides all life forms with not only the material ingredients of their body, land, food etc. but also of the abstract events that life brings to us. These elements are provided through the present tense, and they are everywhere and nowhere for eternity. Jesus becomes invested with a fifth element enabling a process of karistification, all life forms die into the present and are reborn. (going to sleep and waking up.) The goddesses are said to be immortal and the Gods are mortal. Relative to gender a man and a womb-man, are both mortal. What exists is immortal and mortal with an active and passive functionality or mortal with a future and a past. The real cause of all births is unproven by science and religion. The cause of any birth is the I AM of the child from out the darkness and the materials for that birth are provided through the womb of the mother. All births are virgin births in the sense that it is the spirit of the child that controls the time, place and circumstances of the birth. This consciousness transits from apparently nowhere into a womb that is somewhere and appears on Earth. All women are unconsciously in contact with the other world. It is the same with the upper womb of the mind where a thought can drop into your head from nowhere and can appear as uttered speech through your mouth. The words uttered and uterus in Ancient culture are often attributed to a priest who uttered the words that come though the present tense. Winter Solstice is an acknowledgement of the creative potential contained within the seeds of all life forms with a promised return or a restoration of circular continuity. Arthur and Guinevere with her round table will one day return.

Courses matching "Ancient Egypt"

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Geometry of Ancient Egypt with Adam Tetlow

By Sacred Art of Geometry

Join us on a journey through the geometric arts of Ancient Egypt ... The profound relationship between qualitative geometry and the forms of architecture and sculpture is no where better expressed than in the ancient egyptian tradition. During this course we will be drawing inspiration from the work of R.A. Schwaller de Lubitcz, John Michell and others. The philosophical implications of the golden section in Egyptian art will be covered. The Pyramids: the pyramids and earth measure - we will draw and model the great pyramid of Giza to scale.

Geometry of Ancient Egypt  with Adam Tetlow
Delivered In-Person
Dates arranged on request
£130